Arnold Friberg (1913- ), "Moses and the
Burning Bush" (1957).
Larger image. Painted for Cecil B. DeMille's "10
Commandments."
Arnold Friberg (1913- ),
Moses and the Burning Bush (1957). Arnold
Friberg's 15 paintings for Cecil B. DeMille's "The Ten
Commandments" became the pictorial basis for the movie's scenes,
characters and costumes, which earned him an Academy Award
Nomination. Info
about artist.
Domenico Feti (Italian painter (ca. 1589-1623),
Moses before the Burning
Bush (1613-14), Oil on canvas, 168 x 112 cm,
Kunsthistorisches Museum, Vienna. Also beautiful "Parable of
the Lost Drachma" (1618-22)
Eugene Pluchart
(French painter, 1809-1880),
"God Appears to Moses in Burning Bush"
(1848), St. Isaac of Dalmatia
Cathedral, St. Petersburg. Fascinating stylized painting.
Wieslaw Sadurski,
Creation (1976-78), oil on canvas,
250 x 200 cm
Pietro Perugino (1450-1523),
God the Creator and Angels (1507-08), ceiling medalion,
fresco, diameter 240 cm., Stanza dell'Incendio di Borgo,
Palazzi Vaticani, Vatican
Isaiah's vision of God from Martin Luther's German Bible
(1525), woodcut.
Larger image of detail.
Full-size PDF of page from Pitts Theology Library Digital
Image Archive, Chandler School of Theology, Emory University.
The Holy and Righteous God,
Judge
"Mourning Trinity (Throne of God)," by Robert Campin (Flemish painter, "Master of Flemalle," 1375/80-1444). Oil on
panel, 34.3cm x 24.5cm, The Hermitage, St. Petersburg, Russia.
Museum.
Albrecht Dürer
(1471-1528),
St.John in Clouds, Surrounded by 24 Elders around the
Throne of God (St.John before God and the Elders), woodcut,
Revelation 4. 15x11in.
The Last
Judgement, French Romanesque, relief sculpture in tympanum,
1130 A.D., Conques, France. The website says the judge is
Christ, but I see no nail prints.
God Enthroned
Jacobello
Alberegno (Italian painter, Venetian school, d. 1397),
Vision of Saint John the Evangelist on Patmos (n.d.), tempra on
panel, 95 x 61 cm, Galleria dell' Accademia, Venice.
Indo-Persian shield, bronze. between 12th-15th C buckler
and a 18th-19th C separ or dhal, engraved with men, lions and
floral motifs. Diameter: 25 cm. Height: 4,8 cm.
I doubt that there are images of the Shepherd of Psalm 23, since Christ the
Good Shepherd was very early a strong Christian art theme, especially in death.
Marble shepherd, gave its name to the Villa del Pastore
at Stabiae (Stabiano, Italy, near Pompeii), where it was found in the garden, an
aged shepherd carrying a young goat on his shoulders and a
rabbit, that appears dead, in his right hand. This typical
Roman bucolic subject of Hermes the ram-carrier was adapted by early
Christian artists to portray Christ the Good Shepherd. ~ 75 AD.
God
the Father (1442) ceiling Fresco
San Zaccaria, Venice, Francesco da Faenza (probably Francesco Torelli)
Stanislaw Wyspianski (Polish painter and playrwright, 1869-1907), stained
glass window, God
the Father, St Francis Bascilica, Cracow, 1897-1902. Again.
Russian Icon, Barakat Gallery, Beverly Hills, God
the Father.
One theme is the Father as an old man wearing a papal crown,
holding in his arms the lifeless body of the crucified Son,
attended by the Holy Spirit, represented by a dove.
Lucas Cranach the Elder
(German painter, 1472-1553),
The
Trinity (undated), oil on wood; Museum der Bildenden
Künste at Leipzig, Germany
Robert Campin (Master of Flemalle),
The Holy Trinity, oil on panel; 34.3cm x 24.5cm, Hermitage
Museum, St. Petersburg, Russia
Trinity, Schonenfahrer (Scania traveller) altar is the two
tables that today are exhibited in St. Annenmuseum in Lübeck.
The Trinity (c. 1785), oil on canvas 62.5x33 cm, Museum of
Fine Arts, Budapest.
The Doctrine of the Trinity (1903), Frieze of Angels, with
the Crucifixion, (South End, lunette), John Singer Sargent
(American painter), Boston Public Library Murals
*Yevgeny or Eugene Pluchart
(1809-1880), a lesser known contributor to the artistic
decoration of St. Isaac's Cathedral, received his education,
according to some sources, at the Munich Academy of Arts in
1831-32 and according to some others, in his homeland, France. E.
Pluchart came to St. Petersburg in 1836 and soon won fame as a
fashionable portraitist. In 1839 he was made Academician for his
portrait of Karol Lipinsky. In the 1840s and 1850s the artist
continued to work on commissioned portraits. Worthy of special
note among them are series of portraits featuring the daughters
of grand Duke Mikhail Pavlovich, 10 portraits of Anatoly Demidov,
portraits of Kiselevskaya, Auguste de Montferrand, and others.
Montferrand's patronage enabled him to receive a commission for
painting seven subjects for St. Isaac's Cathedral: The Miracle of
the Loaves, The Sacrifice of Abraham, God Appearing to Moses in
the Burning Bush, Moses in the Nile, and others. (Information
from Natalia Negodova - the Head of the International Dept., State
Memorial Museum, "St. Isaac's Cathedral.")